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There are a handful of mission types, almost of which involve moving to certain waypoints, killing all of the enemies, then moving onto the next. You can eject to fight another day, though if you’re in enemy space, you may be captured by the Kilrathi, after which you’re beheaded. The death sequences are particularly brutal – if your ship is destroyed, the scene shifts to cockpit view showing your pilot as he’s engulfed in lights before the ship explodes, then moving to a funeral scene where you’re given a salute and your coffin is launched into space, Star Trek-style. Other cutscenes also pop up every so often to show the greater events of the war. The mission proper begins when it shifts to a first person perspective and you launch from the ship. Then there’s another cinema of the pilots running to the hangar and hopping into their ships. Tracks play dynamically based on the action, transitioning from peaceful music when flying about to more intense pieces when entering combat, with a brief victory tune played when a fighter is destroyed.Įach mission is presented with an animated cutscene where your commander breaks down the mission goals and assigns a wingman. While limited to the computer’s MIDI capabilities, it’s quite engaging. With most of the staff in place, music composition duties were given to George “The Fat Man” Sanger, a prolific game musician at the time.
Closer to release, however, legal difficulties in securing that title led the team to go for their second option, Wing Commander. By this point, the title had shifted to Wingleader, to more accurately reflect the player’s position commanding a wingman. Squadron, on the other hand, would be a cinematic experience with a developed storyline and character interactions, right down to the choice to give the player a wingman they could issue orders to in combat. Origin was already trying to diversify from its RPG roots with titles like Space Rogue, a game much more directly influenced by Elite. Granted, the cover art is a bullshot – the sprites are not nearly as high resolution – but it’s still very impressive for the time. They greenlit it on the spot, with a potential release date of 1990. So much so, that it blew away Origin management when Roberts and Loubet showed them a prototype of the game, which they had been working on when not on office hours. At the time, however, that level of detail was unheard of.
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Plus during gameplay, most of the screen is taken up by the cockpit and its various radars and gauges, so the view window is quite small. Of course, the look wasn’t perfect or smooth, as the ship sprites popped between one view and the other in ways that now can seem incredibly awkward. This allowed for colorful, detailed ship models that contributed to a more cinematic look and feel, and save on processing power and development time.
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Each ship would be made up of a series of 2D sprite images that would change depending on the angle at which they were being seen by the player, and would scale according to distance. Wing Commander’s detailed, scaling sprite art was certainly eye-catching, if reliant on older technology. In 1990, polygonal graphics were still in their infancy, as evidenced by many contemporary space sims such as Warhead.
The game was presented as a prestige product, showing that Origin was betting big on Wing Commander.
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Add the most sweeping, military-symphonic score your MIDI-enabled sound card could muster, and a branching mission system, beautifully rendered ship interiors, a performance-based promotion system, a box packed full of lore-heavy literature, ship blueprints, and - you get the picture. While a space sim, it emphasized quick reflexes instead of exploration, as well as tactically deploying your wingman. Its clearly defined storyline, characters, and cutscenes rivaled the most ambitious RPGs in the market. It’s not an understatement to say Wing Commander looked like nothing else at the time, for many reasons. Your mission: save humanity from the evil claws of the Kilrathi Empire! You are a nameless 2nd Lieutenant in the Terran Confederation Space Force. As the score soars, the title comes into view: WING COMMANDER. Its enemy, a triumphant Earth fighter, turns away while giving the player a good view of its design. ‘In the distant future, mankind is locked in a deadly war…’Īs Kilrathi fighters fly past, laser bolts shoot past and one explodes into little pieces.
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